Showing posts with label Equipment. Show all posts
Showing posts with label Equipment. Show all posts

Audio Home Recording Studio

Found a great book at the Library, want to buy it: Home Recording Handbook, by Dave Hunter.

Things you need:
  •  Computer with enough RAM and Hardrive Space, I'm thinking 16-32 Gig's RAM and a seperate Hard Drive just for Audio Recordings and Audio files and programs.
  • Interface: Either a two input (or four or eight, etc) interface, or a whole mixing board or both.
  • Inputs You'll need DI boxes AND Mics. I want a large diaphram condensor mic, a few small condensors, a few Shure SM57's. (I also want an Acustic Guitar, Electronic Drum Set). Also Stands and Cables, both XLR and 1/4 and 1/8 inch inserts.
  • Digital Audio Workstation (DAW) software to actually do the mixing and fixing on the computer. AVID's Pro Tools is the most popular, also Propellerheads Reason is good. May be some freeware versions I could start with.
  • Studio/High Quality Speakers with seperate Woofer, Mids, and Tweeters built in. Possibly a smaller subwoofer spereately. Also high quality Headphones.  
  • Sound Proofing Padding to place stragegically around the room to quite down the workspace.
  • Desk and Shelving to set up the space.










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Humbuckers Research


Humbucker or Dual Coil pickups reduce the "Hum" or "Buzz" often experienced from the amp when using single coil pickups.
While reducing the Hum it also provides a warmer softer tone vs the brighter crisper tone of the single coil. Humbuckers are used in many designs but best known in the Gibson design. Fenders are best known for the brighter sounds of a single coil design.
From experience the sound I prefer is the softer warmer Humbucker design.
A conventional humbucker (or Humbucking pickup) is a type of electric guitar pickup, first patented by Seth Lover and the Gibson company, that uses two coils, both generating string signal. Humbuckers have high output since both coils are in series and the magnetic circuit is low loss. Like a single coil pickup, a humbucker induces a slight magnetic field around the strings, which in turn induce an electrical current on the coils as the strings vibrate. The two coils have opposite polarity, opposite windings and are connected in series which causes noise and interference to be significantly reduced via common-mode rejection. Humbuckers get their name from their canceling out interference (they "buck the hum") induced by alternating current sources normally experienced with single coil pickups.
Hum is caused by interference typically created by transformers and power supplies inside various electrical equipment utilizing alternating current. As alternating current passes through a coil, it induces a magnetic field around the coil. The magnetic field may be very weak at the pickup, but once the signal is put through various pedals and amps it can become much more evident. Using a guitar without humbuckers, a musician would hear a slight but annoying hum from the amp in silent sections of the music. Sources of hum generated in the studio and on stage can include high-power amps, processors, mixers, motors, power lines, and other sources. Humbuckers dramatically reduce the hum effect compared to single coil pickups.
I use a pair of Seymour Duncan humbuckers. I installed a push-pull pot, which is a really useful and cheap (about US$8) device to switch between having two coils or one coil. But the single coils probably don't sound as 'authentic' as dedicated single coils, but the video should be enough to give you a broad idea.
Humbuckers have a much thicker and distorted sound ('higher gain') than single coils. Single coils have a kind of twang which is quite suitable for blues and country music, but not for heavier rock.
But it isn't a hard and fast rule, because many rock players use single coils, and some blues players use humbuckers. It really boils down to your personal preference.
You can HEAR the difference
Listen HERE too...
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Microphones


All about Microphones.
SHORT recap of the article below. Microphones DO NOT grab sound and bring it in. There is no such thing as distance or range with a microphone. It only hears what is coming to it. Therefore the more noise you don't want to hear the closer it needs to be to the source.
HUGE difference in Omnidirectional v Unidirectional BECAUSE it's either deaf or not to the side noise.

http://www.proacousticsusa.com/blog/2011/12/the-myths-of-microphone-reach/#comment-9827
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